For this exhibition, Pacquing continues to explore the transformative nature of everyday materials, in particular the complex quality of concrete when manipulated on canvas. It is a substance traditionally used in building structures, denoting a monolith resisting environmental stresses.

The lines in Etsuko Nakatsuji’s paintings do something strange. They wind, bow, curl, geometrically precise yet emotionally unguarded. They wink at the aesthetics of advertising, with their pop colors and graphic blocking. The result lands somewhere in the shape of a person, or at least person-ish. Possibly a mythological specter or a beloved cartoon character? Perhaps both, and something more?

Silverlens is pleased to announce its fourth participation in The Armory Show, taking place in New York City from 4 to 7 September 2025.

Silverlens Manila is proud to present Mare Fecunditatis, Yasue Maetake’s first solo exhibition in the Philippines, opening 23 August 2025. Named after a lunar mare, a large dark, basaltic plain in the eastern half of the moon, Mare Fecunditatis consists of six sculptures in Maetake’s distinct artistic method, advancing a lineage from her past works.

Silverlens Manila is honored to present A Knowing, an intergenerational exhibition of three women artists whose singular practices are distinct, and brave: Geraldine Javier (Batangas, Philippines), Emily Cheng (New York City, USA), and Citra Sasmita (Bali, Indonesia). The exhibition opens 23 August 2025 and runs until 27 September 2025.