MIAMI BEACH
05 December - 07 December 2025
05 December - 07 December 2025
Bernardo Pacquing & Nicole Coson
Art Basel Miami Beach 2025
Nova Sector, Booth N9, Miami Beach Convention Center
Silverlens is pleased to return to Art Basel Miami Beach this December for our third participation, once again exhibiting in the fair’s Nova sector dedicated to highly curated presentations of new works by contemporary artists. On view will be a duo presentation of works by Bernardo Pacquing and Nicole Coson.
KYOTO
14 November - 16 November 2025
14 November - 16 November 2025
Gregory Halili & Ryan Villamael
Art Collaboration Kyoto 2025
Kyoto International Conference Center
Silverlens is pleased to announce its first participation in Art Collaboration Kyoto (ACK) 2025, presented in collaboration with Yoshiaki Inoue Gallery (Osaka). Known for its emphasis on partnership, ACK is one of Japan’s leading contemporary art fairs, pairing local and international galleries in shared presentations. Silverlens will participate in the Gallery Collaborations sector, exhibiting two Filipino artists who push the bounds of materials to explore cycles of life, death, and lineage: Gregory Halili and Ryan Villamael.
NEW YORK
06 November - 20 December 2025
06 November - 20 December 2025
Carlos Villa & Leo Valledor
Carlos Villa and Leo Valledor: Drawings
Silverlens, New York
This exhibition at Silverlens New York marks the first presentation devoted to the drawings of Carlos Villa and Leo Valledor. Long known for their monumental paintings, here the artists work up close. On paper, their ideas are immediate and unguarded, holding the DNA of their major works while making their kinship plain: two artists for whom artmaking was a form of thinking, and where experimentation was the real subject. A few master paintings accompany the works, extending that dialogue and pairing the iconic with the intimate.
NEW YORK
06 November - 20 December 2025
06 November - 20 December 2025
Hanna Pettyjohn
A Mountain's Hands
Silverlens, New York
This body of work departs from Reflections, in Situ (2025), where she “zoomed in” on her father’s ceramics, letting surrounding foliage overtake them. In A Mountain’s Hands, she “zooms out.” Now front and center, her parents’ humble ceramics tower above mountain peaks and reach from lush undergrowth past treelines to clouded horizons. Sari-sari (sundry) stores, residential subdivisions, warehouses, and other urban encroachments shrink to the margins. This inversion of scale – between the handheld and intimate and the sprawling and expansive – exalts the ceramics, in the artist’s words, to a “grand, imposing, and heroic” status.