Art Basel Hong Kong 2025

Pacita Abad, Pio Abad, Catalina Africa, Poklong Anading, James Clar, Nicole Coson, Keka Enriquez, Patricia Perez Eustaquio, Gregory Halili, Wawi Navarroza, Citra Sasmita, Yee I-Lann
Booth 1B12 | Encounters EN1 | Kabinett, Hong Kong Convention and Exhibition Centre

About

    Silverlens is thrilled to announce its participation in Art Basel Hong Kong for the 12th year from 26 to 30 March 2025, featuring a wide breadth of the gallery’s program from its Manila and New York City locations. This year's highlights include multi-disciplinary artist Catalina Africa (b.1988, Manila, Philippines; lives and works in Baler, Philippines) who in 2024 received the Thirteen Artists Award from the Cultural Center of the Philippines; London-based artist Nicole Coson (b.1992, Manila) whose solo exhibition opens in Silverlens Manila this month; and Patricia Perez Eustaquio (b. 1977, Cebu, Philippines; lives and works in Benguet Province, Philippines), whose works will travel to Art Basel in Switzerland as part of Silverlens' presentation in June. Rounding out the booth are works by Poklong Anading (b. 1975, Manila, Philippines; lives and works in Manila), Keka Enriquez (b.1962, Manila, Philippines; lives and works in San Francisco, California), Gregory Halili (b.1975, Manila, Philippines; lives and works in Manila), Wawi Navarroza (b.1979, Manila, Philippines), Citra Sasmita (b. 1990, Bali; lives and works in Bali), and Yee I-Lann (b.1971, Kota Kinabalu, Sabah, Malaysia; lives and works in Kota Kinabalu).

    For Art Basel’s Kabinett sector, light and media artist James Clar will present Cloud Seed (Autumn), an interactive video work immersing the viewer in a simulation of rain and fog, alongside a new work in Clar’s Parol series, referencing a Filipino star-shaped lantern, symbolizing hope, joy, and the triumph of light over darkness. It also serves as a reminder of home and family.

    For Art Basel Hong Kong 2025’s Encounters sector—dedicated to large-scale sculpture, installation, and performance by leading artists from around the world—Silverlens, in collaboration with Tina Kim Gallery, is proud to present Pacita Abad and Pio Abad. Conceived by artist and Pacita Abad Art Estate curator Pio Abad and Encounters curator Alexie Glass-Kantor, the presentation features three large-scale paintings in Pacita’s signature trapunto technique, which combines stitching, padding, and embellishing painted canvases. Towering in scale, these monumental works stand out for their verticality, their intricate patterns and textures inviting viewers to admire these fine details up close. Their evocative titles—Through the Looking Glass (1996), Fly Into a Rage (2000), and The Sky is the Limit (2000)—reflect Pacita’s use of abstraction as a vehicle for emotional expression, particularly following the loss of her mother in 1991.

    Art Basel Hong Kong opens on 26 March 2025 at the Hong Kong Convention and Exhibition Centre. Visit Silverlens’ presentations at Booth 1B12 and EN1.

    Fair Programming

    Thursday, 27 March | 12:00–12:45 PM | Exchange Circle, Level 1 Concourse (near Entrance 1A), Hong Kong Convention & Exhibition Centre
    As part of the fair programming, artist Wawi Navarroza will join art patron and collector Shane Akeroyd in the panel discussion Exchange Circle | The Vital Connection: Artists and Their Patrons in which they will explore how patronage shapes artistic expression, from financial and emotional support to the evolution of contemporary art.

    Friday, 28 March | 12:30–1:30 PM | Conversations and Film Auditorium, Hong Kong Convention & Exhibition Centre
    Co-founder and co-director of Silverlens Isa Lorenzo will participate in the panel discussion How to Succeed as an Artist in Asia Today, co-presented with ARTE Generali. She will be joined by Sophie Perceval, co-founder of Wonder AI, and a major institutional figure to explore data-driven insights and first-hand experiences on career progression in Asia’s evolving art scene.

    Saturday, 29 March | 12:30–1:30 PM | Conversations and Film Auditorium, N101B, Level 1, Hong Kong Convention & Exhibition Centre
    Citra Sasmita will participate in the panel discussion Living Traditions: Remixing Heritage to Challenge Old Stories with artist Shao Fan and moderated by Diana Campbell, Artistic Director of the Bukhara Biennial 2025, exploring how artists reimagine historical artistic traditions and the narratives embedded within them while challenging or reshaping their meanings for the present.

Silverlens is thrilled to announce its participation in Art Basel Hong Kong for the 12th year from 26 to 30 March 2025, featuring a wide breadth of the gallery’s program from its Manila and New York City locations. This year's highlights include multi-disciplinary artist Catalina Africa (b.1988, Manila, Philippines; lives and works in Baler, Philippines) who in 2024 received the Thirteen Artists Award from the Cultural Center of the Philippines; London-based artist Nicole Coson (b.1992, Manila) whose solo exhibition opens in Silverlens Manila this month; and Patricia Perez Eustaquio (b. 1977, Cebu, Philippines; lives and works in Benguet Province, Philippines), whose works will travel to Art Basel in Switzerland as part of Silverlens' presentation in June. Rounding out the booth are works by Poklong Anading (b. 1975, Manila, Philippines; lives and works in Manila), Keka Enriquez (b.1962, Manila, Philippines; lives and works in San Francisco, California), Gregory Halili (b.1975, Manila, Philippines; lives and works in Manila), Wawi Navarroza (b.1979, Manila, Philippines), Citra Sasmita (b. 1990, Bali; lives and works in Bali), and Yee I-Lann (b.1971, Kota Kinabalu, Sabah, Malaysia; lives and works in Kota Kinabalu).

For Art Basel’s Kabinett sector, light and media artist James Clar will present Cloud Seed (Autumn), an interactive video work immersing the viewer in a simulation of rain and fog, alongside a new work in Clar’s Parol series, referencing a Filipino star-shaped lantern, symbolizing hope, joy, and the triumph of light over darkness. It also serves as a reminder of home and family.

For Art Basel Hong Kong 2025’s Encounters sector—dedicated to large-scale sculpture, installation, and performance by leading artists from around the world—Silverlens, in collaboration with Tina Kim Gallery, is proud to present Pacita Abad and Pio Abad. Conceived by artist and Pacita Abad Art Estate curator Pio Abad and Encounters curator Alexie Glass-Kantor, the presentation features three large-scale paintings in Pacita’s signature trapunto technique, which combines stitching, padding, and embellishing painted canvases. Towering in scale, these monumental works stand out for their verticality, their intricate patterns and textures inviting viewers to admire these fine details up close. Their evocative titles—Through the Looking Glass (1996), Fly Into a Rage (2000), and The Sky is the Limit (2000)—reflect Pacita’s use of abstraction as a vehicle for emotional expression, particularly following the loss of her mother in 1991.

Art Basel Hong Kong opens on 26 March 2025 at the Hong Kong Convention and Exhibition Centre. Visit Silverlens’ presentations at Booth 1B12 and EN1.

Fair Programming

Thursday, 27 March | 12:00–12:45 PM | Exchange Circle, Level 1 Concourse (near Entrance 1A), Hong Kong Convention & Exhibition Centre
As part of the fair programming, artist Wawi Navarroza will join art patron and collector Shane Akeroyd in the panel discussion Exchange Circle | The Vital Connection: Artists and Their Patrons in which they will explore how patronage shapes artistic expression, from financial and emotional support to the evolution of contemporary art.

Friday, 28 March | 12:30–1:30 PM | Conversations and Film Auditorium, Hong Kong Convention & Exhibition Centre
Co-founder and co-director of Silverlens Isa Lorenzo will participate in the panel discussion How to Succeed as an Artist in Asia Today, co-presented with ARTE Generali. She will be joined by Sophie Perceval, co-founder of Wonder AI, and a major institutional figure to explore data-driven insights and first-hand experiences on career progression in Asia’s evolving art scene.

Saturday, 29 March | 12:30–1:30 PM | Conversations and Film Auditorium, N101B, Level 1, Hong Kong Convention & Exhibition Centre
Citra Sasmita will participate in the panel discussion Living Traditions: Remixing Heritage to Challenge Old Stories with artist Shao Fan and moderated by Diana Campbell, Artistic Director of the Bukhara Biennial 2025, exploring how artists reimagine historical artistic traditions and the narratives embedded within them while challenging or reshaping their meanings for the present.

Booth 1B12

Pacita Abad
Tropical Heliconia
1992
15544
2
oil, acrylic on silk screened canvas
85.0h x 59.0w in • 216.0h x 150.0w cm
-1
0.00
PHP
0
Details
Pacita Abad
White Gladiola
1993
15546
2
oil, acrylic on silk screened canvas
86h x 59w in • 219h x 151w cm
-1
0.00
PHP
0
Details
Pacita Abad
Baguio fruit
1981
15547
2
oil, acrylic on stitched and padded canvas
98h x 59w in • 249h x 150w cm
-1
0.00
PHP
0
Details
Pacita Abad
Yellow Heliconia
1996
15548
2
oil on paper
17.0h x 13.0w in • 43.18h x 33.02w cm
-1
0.00
PHP
0
Details
Pacita Abad
Dancing Daffodils
1993
15549
2
monoprint, acrylic on paper
16.0h x 12.0w in • 40.64h x 30.48w cm
-1
0.00
PHP
0
Details
Pacita Abad
Lilac Garden
1993
15550
2
monoprint, acrylic on paper
18.0h x 14.0w in • 45.72h x 35.56w cm
-1
0.00
PHP
0
Details
Pio Abad
1897.76.36.18.6 No. 16
2024
15552
2
Screenprint and India ink on heritage woodfree paper in sapele frame
29.52h x 42.51w x 1.57d in • 75h x 108w x 4d cm (framed)
-1
0.00
PHP
0
Details
Pacita Abad
Birds of Paradise IV
1993
15551
2
monoprint, oil on paper
14.0h x 18.0w in • 35.56h x 45.72w cm
-1
0.00
PHP
0
Details
Pio Abad
1897.76.36.18.6 No. 18
2024
15553
2
Screenprint and India ink on heritage woodfree paper in sapele frame
29.52h x 42.51w x 1.57d in • 75h x 108w x 4d cm (framed)
-1
0.00
PHP
0
Details
Pio Abad
1897.76.36.18.6 No. 25
2025
15554
2
Screenprint and India ink on heritage woodfree paper in sapele frame
29.52h x 42.51w x 1.57d in • 75h x 108w x 4d cm (framed)
-1
0.00
PHP
0
Details
Pio Abad
1897.76.36.18.6 No. 26
2025
15555
2
Screenprint and India ink on heritage woodfree paper in sapele frame
29.52h x 42.51w x 1.57d in • 75h x 108w x 4d cm (framed)
-1
0.00
PHP
0
Details
Pio Abad
1897.76.36.18.6 No. 27
2025
15556
2
Screenprint and India ink on heritage woodfree paper in sapele frame
29.52h x 42.51w x 1.57d in • 75h x 108w x 4d cm (framed)
-1
0.00
PHP
0
Details
Pio Abad
1897.76.36.18.6 No. 28
2025
15557
2
Screenprint and India ink on heritage woodfree paper in sapele frame
29.52h x 42.51w x 1.57d in • 75h x 108w x 4d cm (framed)
-1
0.00
PHP
0
Details
Catalina Africa
Planetary updates: Worldbuilding within
2024
15558
2
acrylic on canvas
48h x 60w in • 121.92h x 152.4w cm
-1
0.00
PHP
0
Details
Catalina Africa
Plant Spirit: Kurumbot
2025
15559
2
Acrylic, oil pastel, interference paint, fixative on canvas
36h x 24w in • 91.44h x 60.96w cm
-1
0.00
PHP
0
Details
Nicole Coson
Untitled
2025
15562
2
oil on linen
78.75h x 51.18w in • 200h x 130w cm
-1
0.00
PHP
0
SPI_NC187
Details
Nicole Coson
Untitled
2025
15563
2
oil on linen
78.75h x 51.18w in • 200h x 130w cm
-1
0.00
PHP
0
SPI_NC188
Details
Poklong Anading
flash back (no. 7)
2024
15560
2
Single channel 55” HDTV, mini CPU and sensor
approx. 25.2h x 47.3w x 3.94 in • 64h x 111w x 10d cm
-1
0.00
PHP
0
Edition of 3 + 1 AP
Details
Patricia Perez Eustaquio
Vertigo (Turquoise)
2025
15567
2
acrylic, printed velvet, abacá (Manila hemp), silk, wool and cotton fibers on handwoven cotton (Inabel)
59.5h x 34w x .75d in • 151h x 86w x 2d cm
-1
0.00
PHP
0
Details
Keka Enriquez
Marriage
2024
15564
2
oil on canvas
62h x 62w in • 157.5h x 157.5w cm (unframed) 63.23h x 63.23w in • 160.5h x 160.5w cm (framed)
-1
0.00
PHP
0
Details
Patricia Perez Eustaquio
Vertigo (White lines)
2025
15568
2
acrylic, printed velvet, abacá (Manila hemp), silk, wool and cotton fibers on handwoven cotton (Inabel)
59.5h x 34w x .75d in • 151h x 86w x 2d cm
-1
0.00
PHP
0
Details
Citra Sasmita
I will Grow to the Seventh Heaven
2025
15572
2
painting on traditional kamasan canvas, fabric, pearls
73.23h x 42.52w in • 186h x 108w cm
-1
0.00
PHP
0
Details
Citra Sasmita
Song of Divine Realm
2024
15571
2
acrylic color on Kamasan, traditional Kamasan, wood carving
122.5l x 51w in • 311.15l x 129.54 cm
-1
0.00
PHP
0
Details
Citra Sasmita
I Will Grow to the Seventh Underworld
2025
15573
2
painting on traditional Kamasan canvas, fabric, pearls
73.23h x 42.52w in • 186h x 108w cm
-1
0.00
PHP
0
Details
Gregory Halili
Study in Brown
2025
15569
2
Mixed media
36.5h x 35.5w x 8.75d in • 92.7h x 90.2w x 22.2d cm
-1
0.00
PHP
0
Details
Wawi Navarroza
The Weightlifter Orans / Auit at Gaua (Self- Portrait with Blue Ribbon)
2022
15570
2
archival pigment ink on Hahnemühle Photo Lustre mounted on dibond artist's frame: glazed, colored frame with wooden mat board
58.5h x 45.5w x 2d in • 148.6h x 115.6w x 5.1d cm
-1
0.00
PHP
0
Edition of 7 plus 2 artist's proofs (#4/7)
Details
Yee I-Lann
THE TUKAD KAD SEQUENCE #06 with weaving by weaving by Julitah Kulinting, S Narty Raitom, Julia Ginasius, Zaitun Raitom
2023
15587
2
split bamboo pus weave with kayu obol black natural dye, matt sealant
82.0h x 124.0w in • 208.0h x 314.0w cm
-1
0.00
PHP
0
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 1
2024
15574
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
39.17h x 30.51w in • 99.5h x 77.5w cm
-1
0.00
PHP
0

with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien

Made in collaboration with sea-based Sabahan, Malaysian weavers, Yee I-Lann’s TIKAR/EMOJI/PLASTIK mats incorporate plastic waste collected from the beaches of Omadal Island and Kampung Kolopis in Sabah to depict a whirling, polychromatic array of emojis against a backdrop of heritage weave motifs. For Yee, emojis provide a shared language that requires no unpacking or translation, coming as close as we have to a universal tongue. Simultaneously, by using plastic litter to create the icons, the artist calls attention to the plastic waste emergency suffocating global seas and landfills.
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 2
2024
15575
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
37.6h x 31.5w in • 95.5h x 80w cm
-1
0.00
PHP
0

with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien

Made in collaboration with sea-based Sabahan, Malaysian weavers, Yee I-Lann’s TIKAR/EMOJI/PLASTIK mats incorporate plastic waste collected from the beaches of Omadal Island and Kampung Kolopis in Sabah to depict a whirling, polychromatic array of emojis against a backdrop of heritage weave motifs. For Yee, emojis provide a shared language that requires no unpacking or translation, coming as close as we have to a universal tongue. Simultaneously, by using plastic litter to create the icons, the artist calls attention to the plastic waste emergency suffocating global seas and landfills.
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 4
2024
15576
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
41.54h x 31.89w in • 105.5h x 81w cm
-1
0.00
PHP
0

with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien

Made in collaboration with sea-based Sabahan, Malaysian weavers, Yee I-Lann’s TIKAR/EMOJI/PLASTIK mats incorporate plastic waste collected from the beaches of Omadal Island and Kampung Kolopis in Sabah to depict a whirling, polychromatic array of emojis against a backdrop of heritage weave motifs. For Yee, emojis provide a shared language that requires no unpacking or translation, coming as close as we have to a universal tongue. Simultaneously, by using plastic litter to create the icons, the artist calls attention to the plastic waste emergency suffocating global seas and landfills.
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 5
2024
15577
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
38.19h x 29.13w in • 97h x 74w cm
-1
0.00
PHP
0

with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien

Made in collaboration with sea-based Sabahan, Malaysian weavers, Yee I-Lann’s TIKAR/EMOJI/PLASTIK mats incorporate plastic waste collected from the beaches of Omadal Island and Kampung Kolopis in Sabah to depict a whirling, polychromatic array of emojis against a backdrop of heritage weave motifs. For Yee, emojis provide a shared language that requires no unpacking or translation, coming as close as we have to a universal tongue. Simultaneously, by using plastic litter to create the icons, the artist calls attention to the plastic waste emergency suffocating global seas and landfills.
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 6
2024
15578
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
37.8h x 30.51w in • 96h x 77.5w cm
-1
0.00
PHP
0

with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien

Made in collaboration with sea-based Sabahan, Malaysian weavers, Yee I-Lann’s TIKAR/EMOJI/PLASTIK mats incorporate plastic waste collected from the beaches of Omadal Island and Kampung Kolopis in Sabah to depict a whirling, polychromatic array of emojis against a backdrop of heritage weave motifs. For Yee, emojis provide a shared language that requires no unpacking or translation, coming as close as we have to a universal tongue. Simultaneously, by using plastic litter to create the icons, the artist calls attention to the plastic waste emergency suffocating global seas and landfills.
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 7
2024
15579
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
39.37h x 29.92w in • 100h x 76w cm
-1
0.00
PHP
0

with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien

Made in collaboration with sea-based Sabahan, Malaysian weavers, Yee I-Lann’s TIKAR/EMOJI/PLASTIK mats incorporate plastic waste collected from the beaches of Omadal Island and Kampung Kolopis in Sabah to depict a whirling, polychromatic array of emojis against a backdrop of heritage weave motifs. For Yee, emojis provide a shared language that requires no unpacking or translation, coming as close as we have to a universal tongue. Simultaneously, by using plastic litter to create the icons, the artist calls attention to the plastic waste emergency suffocating global seas and landfills.
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 10
2024
15583
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
24.75h x 39.75w in • 63h x 101w cm
-1
0.00
PHP
0
with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 11
2024
15584
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
25.75h x 38.63w in • 65.5h x 98w cm
-1
0.00
PHP
0
with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 12
2024
15585
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
31.125h x 37w in • 79h x 94w cm
-1
0.00
PHP
0
with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien
Details
Yee I-Lann
TIKAR/EMOJI/PLASTIK 13
2024
15586
2
Bajau Sama DiLaut pandanus weave, commercial chemical dyes, plastic rubbish collected at Omadal Island and at Kampung Kolopis, Sabah
33.5h x 37.75w in • 85h x 96w cm
-1
0.00
PHP
0
with weaving by: Aisyah binti Ebrahim, Aldi bt Eggak, Aline bt Annerati, Alisya bt Radumar, Alisyah binti Ebrahim, Daiyan bt Roven, Darwisa bt Omar, Dayang bt Tularan, Dela bt Annerati, Ela bt Ramli, Elha bt Tikki, Kinnuhong Gundasali, Kuluk Belasani, Kuoh Enjahali, Laila bt Kundar, Leleng bt Jamil, Lokkop Sumuhang, Noraidah (Budi) Jabarah, Rosma bt Enyang, Roziah bt Jalalid, Sabiana bt Gundasali, Sanah Belasani, Shima bt Manan, Tasya bt Tularan with Henry Tenyu Baynes, Sue Chong-Hartley and Venice Foo Chau Xhien
Details

Kabinett

James Clar
Cloud Seed (Autumn)
2021
15581
2
generative software, camera, television, computer
57.09h x 35.43w in • 145h x 90w cm
-1
0.00
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0
Unique work
Details
James Clar
Where the Horizon Breaks into Color (Wayfinding Home) (Parol #6)
2025
15582
2
LEDs, Filters, Lasercut Metal
73.25h x 75.63w x 2.38d in • 186h x 192w x 6d cm
-1
0.00
PHP
0
Unique work
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Encounters EN1

Pacita Abad
Through the looking glass
1996
15589
2
Oil, acrylic, sequins, plastic buttons on stitched and padded canvas
209h x 59w in • 530h x 150w cm
-1
0.00
PHP
0
Details
Pacita Abad
The sky is the limit
2000
15580
2
oil, painted handwoven cloth, buttons stitched on canvas
168h x 60w in • 427h x 153w cm
-1
0.00
PHP
0
Details
Pacita Abad
Fly into a rage
2000
15588
2
Oil, painted canvas stitched on canvas
204h x 61w in • 518h x 155w cm
-1
0.00
PHP
0
Details
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