Poklong Anading
Bio
Poklong Anading (b. 1975, Manila, Philippines; lives and works in Manila) works with a wide range of mediums and is acclaimed for his pieces that investigate photography and travel. Fascinated with the process of creation and permutation, Anading explores different mediums to engage with a range of sociopolitical and environmental questions. Having begun his career as a painter, he is not driven by an overt agenda, but prefers to let his mind wander, thinking with and through his materials as they undergo their transformations. He frequently uses found objects and discarded materials that lead him to investigate notions of worth and value, and to explore what it means for art to exist inside and beyond capitalist production.
Anading has completed residencies with Big Sky Mind, Manila, Philippines (2003 to 2004), Common Room, Bandung, Indonesia (2008), Bangkok University Gallery, Thailand (2013), Selasar Sunaryo Art Space, Bandung, Indonesia (2013), Philippine Art Residency Program - Alliance Francaise de Manille in Cite Internationale des Arts, Paris, Centre Intermondes, La Rochelle in France (2014) and das weisse haus, Vienna Austria (2018). He had solo exhibitions in Galerie Zimmermann Kratochwill, Graz, Austria (2010 and 2012), Taro Nasu in Japan and Athr Gallery in Jeddah (2016), 1335MABINI in Manila, Philippines (2013, 2015 and 2017). He has been included in notable group exhibitions such as: Gwangju Biennial, South Korea (2002 and 2012), No Country: Contemporary Art for South and Southeast Asia, the first exhibition of the Guggenheim UBS Map Global Art Initiative in New York, Hong Kong and Singapore (2013 to 2014), 5th Asian Art Biennial: Artist Making Movement, National Taiwan Museum of Fine Arts, Taiwan (2015), The Shadow Never Lies, Minsheng Art Museum, Shanghai, Afterwork, Para Site, Hong Kong, China and in the Architecture Biennale for the 15th International Architecture Exhibition, Philippine Pavilion: Muhon: Traces of an Adolescent City at Palazzo Mora, Venice, Italy (2016), Constellations, Photographs in Dialogue, SFMOMA, California, USA (2021) and Living Pictures: Photography in Southeast Asia at National Gallery Singapore (2022).
Selected Works
Selected Works
Some Rooms, Osage Gallery Hong Kong
Curated by Eugene Tan and Isabel Ching
carpenter to use—is wrapped by Anading in stainless steel to celebrate its ad hoc nature, which embodies the essence of its form. These objects, which are
necessitated into existence for the purpose of aiding the construction of another form (a part of a wall, a house, or a building) disappear against the realization of a more refined and ideal architecture. but the andamio’s form—arrived at with exigency, in random fashion, in a multitude of shapes and sizes, and in odd formations to guarantee its sturdiness—as already a contradicting sight to behold, is enveloped further in such luster to signify the enigma of their presence, and ultimately—their disappearance.
Selected Exhibitions
Selected Press
- Artforum | STILL WATERS RUN DEEP: Wading through the third Thailand Biennale
- Bangkok Post | Art without borders
- Bangkok Post | Art in the era of AI
- Artnet News | Art Industry News: Movers & Shakers
- MoMA | In living we draw out the light
- Asia Art Archive | Interview with Poklong Anading
- The Artling | Poklong Anading at 1335 MABINI
- South China Morning Post | Society’s waste is art for this Filipino
- ASEF.org | On selfies, sewers, and art residencies | Q&A with Poklong Anading
- The New York Times | 'No Country,’ New Asian Art at the Guggenheim
- Studio Das Weisse Haus | Weekly Conversations... with Poklong Anading