Stephanie Syjuco
Bio
Stephanie Syjuco (b. 1974, Manila, Philippines; lives and works in Oakland, California) is known for her investigative, research-based practice encompassing photography, sculpture, and installation. Progressing from handmade and craft-inspired mediums to digital editing and archive excavations, her work employs open- source systems, shareware logic, and capital flows to scrutinize issues related to economies and empire. Initially exploring image-based processes and their implications in constructing racialized, exclusionary narratives of American history and citizenship, she has shifted her focus to the history- building and myth-making undertaken by Filipinos in their newfound independence. From critiquing images of American colonial anthropology in the Philippines, to investigating historical museum collections and shuttered newspaper archives, her projects attempt to reframe and “talk back” to the archive.
Syjuco received her MFA from Stanford University and BFA from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 Guggenheim Fellowship Award, a 2020 Tiffany Foundation Award, and a 2009 Joan Mitchell Painters and Sculptors Award. She was a Smithsonian Artist Research Fellow at the National Museum of American History in Washington DC in 2019-20 and is featured in the acclaimed PBS documentary series Art21: Art in the Twenty-First Century. Her work has been exhibited widely, including at The Museum of Modern Art in New York, the Whitney Museum of American Art, The San Francisco Museum of Modern Art, The Smithsonian American Art Museum, The Getty Museum, The Walker Art Center, and The 2015 Asian Art Biennial (Taiwan), among others. A long-time educator, she is an Associate Professor in Sculpture at the University of California, Berkeley.
Photo of the artist by Kija Lucas
Selected Works
Selected Works
Installation views of Fixed Focus - Courtesy of Catharine Clark Gallery
Selected Exhibitions
Selected Videos
Selected Press
- VERA Files | Stephanie Syjuco: Reframing a moment in time, 1969-1972
- ArtReview | The Art Forensics of ‘The Unruly Archive’
- The Seattle Times | Trash-talking art and other must-see Seattle shows in August 2024
- The Art Newspaper | For its fifth edition, Frieze Los Angeles fine-tunes its approach to a flourishing local art scene
- Artnet | At Frieze L.A., Get Ready to Be Soothed by Flowers, Still Lifes, Ceramics, and More Flowers
- The Cut | Women Artists to Watch at Frieze Los Angeles
- Frieze | Memory and Material at Frieze Los Angeles 2024
- The New York Times | Artists of Color Ask: When Is Visibility a Trap?
- Artnet News | A New Show at MCA Denver Reins in the Myth of the Cowboy With Works by John Baldessari, Amy Sherald, and More
- Singapore Art Museum | Doubling Back: In Conversation with Stephanie Syjuco
- Artnet News | Art Industry News: Movers & Shakers
- Bmore Art | Just Our Usual Flag: Stephanie Syjuco at the BMA
- The Brooklyn Rail | Stephanie Syjuco: Native Resolution
- KQED | Stephanie Syjuco’s ‘Native Resolution’ Won’t Let Racism Remain Filed Away
- Frieze | What We Can Learn from Ruth Asawa
- Artforum | Openings: Stephanie Syjuco
- Hyperallergic | Women and Minority Artists Flourish Amid Elite Indulgence at the 2019 Armory Show
- Artforum | The Year in Review: Artists Pick Artists: Best of 2018
- Art in America | cover image, April Issue
- The New York Times | What's New in Photography? Humanism, MoMA says
- Art21 Magazine | Whose Speech? Artists, Activists, & Being Heard: A Conversation Between Stephanie Syjuco & Astria Suparak
- Art in America | Reviews: Stephanie Syjuco at RYAN LEE, New York