Carlos Villa

Bio

Carlos Villa (b. 1936 - d. 2013, San Francisco, USA) was a San Francisco-born visual artist, grass-roots activist, curator, author, and educator for over 40 years at the San Francisco Art Institute, among other Bay Area institutions

In 2022, Villa received the first-ever major museum retrospective dedicated to the work of a Filipino American artist, which toured from the Newark Museum of Art to the San Francisco Art Institute and Asian Art Museum. Villa’s works were also included in the 2011 solo retrospective Manongs, Some Doors and a Bouquet of Crates at the Mission Cultural Center for Latino Arts in San Francisco, and Other Sources: An American Essay, a multidisciplinary, multiethnic exhibition centered around women and artists of color, curated by Villa and presented in conjunction with the 1976 American Bicentennial.

Image: Family photos of Carlos Villa, courtesy the Estate of Carlos Villa and Silverlens, Manila and New York.

Carlos Villa (b. 1936 - d. 2013, San Francisco, USA) was a San Francisco-born visual artist, grass-roots activist, curator, author, and educator for over 40 years at the San Francisco Art Institute, among other Bay Area institutions

In 2022, Villa received the first-ever major museum retrospective dedicated to the work of a Filipino American artist, which toured from the Newark Museum of Art to the San Francisco Art Institute and Asian Art Museum. Villa’s works were also included in the 2011 solo retrospective Manongs, Some Doors and a Bouquet of Crates at the Mission Cultural Center for Latino Arts in San Francisco, and Other Sources: An American Essay, a multidisciplinary, multiethnic exhibition centered around women and artists of color, curated by Villa and presented in conjunction with the 1976 American Bicentennial.

Image: Family photos of Carlos Villa, courtesy the Estate of Carlos Villa and Silverlens, Manila and New York.

Video

Artist's Feet
1979
10226
1
Paper pulp and feathers
7.2h x 4.8w x 15d in • 18h x 12.2w x 38.1d cm
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Tattoo Drawing (Tatu Series)
1971
10227
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Ink on Itek photograph
21.6h x 13.2w in • 54.9h x 33.5w cm
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Excavation
1982
10228
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Acrylic on unstretched canvas with chicken bones
94.8h x 124.8w in • 240.8h x 317w cm
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My Roots
1970
10229
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Acrylic with feathers on unstretched canvas
91.5h x 92.9w in • 232.41h x 236w cm
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Ladders
1) Untitled “who listens”
2) Untitled “uncle is humiliated and stays silent”
3) Untitled “auntie comparing her child when there is no comparison”
2004
10233
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Bronze ladders with engravings
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1.) 288h x 12w in • 731.5h x 30.5w cm
2.) 177h x 12w in • 449.58h x 30.5w cm
3.) 175.2h x 12w in • 445h x 30.5w cm
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Third Coat
1977
10234
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Feathers and acrylic on canvas; bone dolls and acrylic on taffeta
81.6h x 80.4w x 9.6d in • 207.3h x 204.2w x 24.4 cm
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Artist's Head
1979
10237
1
Paper pulp, feathers, bones, hair, and rags
14.4h x 14.4w x 8.4d in • 36.6h x 36.6w x 21.3d cm
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New Heights
1999
10230
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Acrylic on wood panel with engraved aluminum
24h x 24w x 1.5d in • 61h x 61w x 3.8d cm
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Kite God Coat
1979
10235
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Feathers and acrylic on canvas; bone dolls and acrylic on taffeta
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Painted Cloak
1971
10241
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Acrylic on canvas with painted taffeta and feathers (rooster, domestic turkey, common pheasants, domestic chicken)
62.4h x 129.6w x 8.4d in • 158.496h x 329.2w x 21.3d cm
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Untitled Drawings
ca 1960
10238
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ink on paper
various dimensions
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Surrender Monkey
1978
10232
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Aluminum and threded rod, paper, pulp, feathers (goose, domestic chicken)
28.8h x 28.8w x 39.6d in • 73.2h x 73.2w x 100.6d cm
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Orange-a-boom
2010
10236
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Scored lines though acrylic on wood, hardware
72h x 60w in • 182.9h x 152.4w cm (closed) 72h x 120w in • 182.9h x 304.8w cm (open)
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Selected Exhibitions

Selected Press

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