Over the next two months, Silverlens New York is hosting two concurrent solo exhibitions. Titled ‘There is Still a Tomorrow, Mother’, the exhibition centres itself around the work of Imelda Cajipe Endaya, marking the pioneering artist’s first solo exhibition in the US in nearly two decades. Curated by Eugenie Tsai, the exhibition examines the depiction of Filipino women across nearly half a century of Cajipe Endaya’s extensive oeuvre.

In anticipation of her solo exhibition There is Still a Tomorrow, Mother and in honor of Labor Day in the Philippines, Imelda Cajipe Endaya welcomes us into her studio and home to recount stories from her artistic practice spanning nearly half a century. Cajipe Endaya's first solo exhibition in the U.S. in two decades, There is Still a Tomorrow, Mother, curated by Eugenie Tsai, will feature the artist's works from 1982 to 2023, capturing what the artist has focused on for nearly half a century: the role of Filipino women through the arc of history.

Shortlisted for the 2024 Turner Prize for his exhibition, To Those Sitting in Darkness, London-based Filipino artist Pio Abad continues to carve out space for new ideas. As he reflects on over a decade of work with the release of the book, Fear of Freedom Makes Us See Ghosts, he underscores the power of paying attention as an act of resistance in a world consumed by distraction.