Silverlens is pleased to participate in Art Basel 2025 across three sectors, featuring works by Patricia Perez Eustaquio, Taloi Havini, and Martha Atienza. Across the practices of these artists from the Asia Pacific, we encounter not just representations of economy but artworks that operate within, and against, material systems of valuation. They make visible the social lives of materials long assumed to be mute, resisting their flattening into commodity, even as they circulate within spaces of market exchange.

In 'Everyday is Like Sunday,' Corinne de San Jose responds to a growing dissonance in traditional strongholds of meaning—faith, science, institutions—by turning to silence as both an act of resistance and a form of refuge. Through a collection of sound-based works that transcend conventional notions of narrative and composition, she proposes an alternative way of holding belief, allowing silence to create the space where a shared sense of meaning might be recovered in an increasingly loud and fragmented world.