Bio

Hanna Pettyjohn (b. 1983, Manila; lives and works in Dallas) graduated from the University of the Philippines Diliman, with a Bachelor of Fine Arts in Painting. The daughter of pioneering contemporary Filipino ceramicists Jon and Tessy Pettyjohn, she combines sculptural installations with paintings in her explorations of identity. Pettyjohn has exhibited in Manila, Miami, Taipei, Singapore, and Hong Kong, and her work forms part of private collections in Southeast Asia.

In 2004, Pettyjohn won first prize at the 37th Shell National Students Art Competition. She received the Cultural Center of the Philippines’ Thirteen Artists Award in 2015.

A Filipino-American with a transnational narrative, Pettyjohn possesses firsthand knowledge of the global diaspora. Autobiographical details and “fragments of memory” inform her work, which is tinged with both nostalgia and an acute awareness of life’s transience. Through her large-scale portraits and personal photographs-turned-tactile landscapes, she conveys the vague anxiety, loneliness, and alienation that afflict the uprooted.

Hanna Pettyjohn (b. 1983, Manila; lives and works in Dallas) graduated from the University of the Philippines Diliman, with a Bachelor of Fine Arts in Painting. The daughter of pioneering contemporary Filipino ceramicists Jon and Tessy Pettyjohn, she combines sculptural installations with paintings in her explorations of identity. Pettyjohn has exhibited in Manila, Miami, Taipei, Singapore, and Hong Kong, and her work forms part of private collections in Southeast Asia.

In 2004, Pettyjohn won first prize at the 37th Shell National Students Art Competition. She received the Cultural Center of the Philippines’ Thirteen Artists Award in 2015.

A Filipino-American with a transnational narrative, Pettyjohn possesses firsthand knowledge of the global diaspora. Autobiographical details and “fragments of memory” inform her work, which is tinged with both nostalgia and an acute awareness of life’s transience. Through her large-scale portraits and personal photographs-turned-tactile landscapes, she conveys the vague anxiety, loneliness, and alienation that afflict the uprooted.

K/C ii
2019
7961
1
oil on canvas
12h x 16w in • 30.48h x 40.64w cm
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Ground/Foreground (ZM Incorporated, Calamba Kaolin)
2022
8793
1
oil on canvas
36h x 60w in • 91.44h x 152.40w cm
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Foreground B (HP/W IV)
7960
1
oil on canvas
72h x 54w in • 182.88h x 137.16w cm
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HCP
2009
789
1
oil on canvas
96h x 72w in • 243h x 183w cm
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DFW, RIP (Loves)
2009
791
1
oil on canvas
96h x 72w in • 243h x 183w cm
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DFW, HJ (Site Specific)
2009
792
1
oil on canvas
54h x 72w in • 137.2h x 182.9w each
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diptych
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HCP: IL
2010
793
1
oil on canvas
72h x 96w in • 182.88h x 243.84w cm
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VW, MTJ (the glass between us)
2012
795
1
oil on canvas
72.01h x 54.02w in • 182.90h x 137.20w cm
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HP II
2013
796
1
oil on canvas
42h x 72w in • 106.68h x 182.88w cm
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HP/Witherlands
2014
797
1
oil on canvas
71.97h x 53.94w in • 182.80h x 137w cm
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Unearthed G
2015
798
1
oil on canvas
42h x 72w in • 106.7h x 182.9w cm
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Foreground E (HP/W VII)
2017
800
1
oil on canvas
72h x 54w in • 182.88h x 137.16w cm
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Ground (C vii)
2018
801
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porcelain
5.91h x 5.91w x 5.91d in • 15h x 15w x 15d cm
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Anastomosis (P.01)
2019
802
1
oil on canvas
48h x 24.25w in • 121.92h x 61.59w cm
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Selected Exhibitions

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